Figures of Speech Theatre savored a moment of national attention this summer, when HUMANITIES, the quarterly magazine of the National Endowment of theHumanities, featured our production of the little match girl passion in a story celebrating the 100th anniversary of the Pulitzer Prize. Figures of Speech received a Pulitzer Prize Centennial Campfires Initiative grant, administered by the MaineHumanities Council, to support the final production phase of the little match girl passion, a theatrical setting of American composer David Lang’s Pulitzer-winning work of the same name.
Our production takes Lang’s brilliant synthesis of Andersen and Bach and adds a layer of visual poetry to the piece, with a dance of projected shadows, puppet manipulation and masked performance. Rather than illustrating Andersen’s story or the Gospel story in a literal sense, the setting we created extends Lang’s work with imagery examining the spiritual and psychological worlds of the little match girl and her dead Grandmother.
For the world premiere at Bates College, four singers, under the musical direction of longtime FST collaborator Andrea Goodman, delivered Lang’s intricate vocal score with percussion.
After the premiere, John Farrell spoke with Amy Lifson, Assistant Editor at HUMANITIES about his experience directing and building the puppets and mask used in the little match girl passion. Lifson’s article (The Pulitzer Prize Turns 100), published in the Summer 2016 edition, called the show a “haunting, almost sacred tribute,” in which “a magical sense comes from the whole performance.”
We look forward to future opportunities to join you on this journey through the staggeringly beautiful world of Lang’s music.